InFocus Photo Exhibit & Award is open to the public! Visit The Front Gallery to see this amazing show. I am so proud to curate InFocus and I love seeing how it is propelling photographers’ careers forward and engaging people in the dialogue about why photography matters. I believe photography is art. This is something I’ve always promoted – and defended. The Front Gallery owner, Rachel Bouchard, is on the same page (and the gallery looks great adorned in photos, btw).
Photography is a dynamic, impassioned and powerful creative medium. Not to be ignored.
If you are in Edmonton, Alberta, Canada this Thursday, February 9 – come out to the InFocus Photo opening party! And come back again on Friday night for the portfolio reviews. Here is more info about both of these awesome events:
Thursday, February 9, 2017
6 – 9 pm
The Front Gallery
12323 – 104th Avenue, Edmonton, Alberta
Curator Talk & InFocus Photo People’s Choice Award presentation – 7pm
Portfolio Review Date:
Friday, February 10, 2017
Students. Enthusiasts. Amateurs. Professionals. ALL PHOTOGRAPHERS WELCOME!
We have a rock star line-up of reviewers ready to bestow their wealth of knowledge and experience to all portfolio review participants.
Reviewers include: Larry Louie, Curtis Trent, Akemi Matsubuchi, and yours truly, Alexis Marie Chute.
Bring printed photographs, a bound portfolio or images on your laptop or tablet. The reviewers will look at your work, give feedback on how to make it better or how to promote yourself – or anything else you may be wondering about with your photography.
One registration will give you ten (10) minutes with each of our four talented and generous photographers in a speed-dating style review.
Here is more info about InFocus:
MISSION: To promote and exhibit innovative, thoughtful, and provocative photography created by CANADIAN contemporary image makers.
INFOCUS PHOTO is an annual exhibition that began in 2015. In it’s first year, the show took place at Harcourt House Artist Run Centre and featured Edmonton and area photographers. In the second year, InFocus expanded to celebrate the best photography from across Alberta, showcased at dc3 Art Projects. Now, in its third year, InFocus has fulfilled its mission of welcoming submissions from ALL Canadian photographers. This year, the curated show will be mounted in The Front Gallery.
InFocus is one of the major photographic surveys of Canadian-made imagery.
InFocus presents the current cultural climate in photography within our nation.
Here is the line-up of InFocus 2017 Photographers:
Anne Tapler White
I love sharing the work of other talented artists, writers, musicians and, of course, photographers. Today is a special guest post by one of the 2017 InFocus Photo photographers. I am pleased to introduce Hedy Bach! I first got to know Hedy and her photography two years ago when she submitted and showed her photography at our 2015 InFocus Photo Exhibit and Award. Hedy is a “sloppy Buddhist” and an inspirational woman in the arts. Below you will find a unique guest blog post, entirely in poem, writing about photography. On that note, I pass this post over to Hedy!
i photograph daily
i write daily
i upload images daily
i use adobe lightroom & photo apps
and i try to work mainly in camera
i play with my fujx100s & iphone 6
rarely do i go anywhere without a camera
i like small carry-around cameras
ones i can wear like a necklace
i like to feel obscure
i appreciate tripods but rarely use them
in 2011 i began to photograph with intention
before that i made snapshots
as a girl i was always looking
i learned about the surveyed and surveyors
i studied the place of the photograph
i became a visual researcher
i taught fine arts curriculum to education students
and as a researcher i worked with images and story
social justice issues, human rights, and visual ethics matter deeply to me
when i started my blog sloppybuddhist.com
i wanted to compose posts with my images
i wanted to be behind a camera
try another way of visual story telling
every day i began to photograph beauty with intention
beauty that can be consoling, disturbing, sacred, profane;
it can be exhilarating, appealing, inspiring, chilling.
i learn from
mostly i learn along the way
in ordinary everyday life
i am a member of two local photography clubs
i attend workshops, talks and competitions
i take free on line learning
i have one to one lessons with photography friends
i continue learning about the taking and making of photography.
i enjoy street photography
i like people
i like walking and talking with people
and i love wandering urban environments
i also love to be alone
walk my dogs
in early mornings just after dark
my magic hour
i love the land
in a room without a roof
i photograph in my home
i don’t need to be away to find beauty
of course i enjoy being in front of something different
being in various spaces and places
i am grateful for the opportunities that having a camera has given me.
hedy bach;s alberta
Hedy Bach’s Street Photography: A verb…
The deadline to enter your photography to PhotoEd Platform is tomorrow – Friday, November 18! This is a unique opportunity for Canadian photographers. I am passionate about the creative community in this country, and I’m proud to be a jury member for PhotoEd Platform.
Here is a little about PhotoEd Platform:
The PhotoEd Platform project is a new, and innovative extension of a traditional print publication that will build on the editorial mandate of PhotoEd magazine; to promote and inspire new Canadian contemporary photography production and dialogue.
Here is a little description about the theme:
Images accepted by the Jury will become part of the premiere collection on the PhotoEd Platform titled ‘Nourish’. Jury members list can be found at: www.photoed.ca. Photographers may submit up to 5 images for consideration.
Submit images that NOURISH.
Share what nourishes the body, mind and spirit. This theme allows photographers to share their creative interpretations on what nourishment means to them as creatives.
Consider the connections viewers will have with this theme, and how sharing your work in this context will literally and directly promote the facilitation of nutritional aid within your communities.
How the photographs will be promoted:
Images in the collection will be available for public sale on the platform as:
- High-res images available for commercial license. Images are available for commercial/ editorial use. License fees will vary according to usage. Profits from commercial license sales are divided equally between the PhotoEd Platform & the artist.
- High quality 11x14inch fine art prints. (estimated price $100.) Profits from print sales are divided equally between the PhotoEd Platform & the artist.
- Low-res digital images for PERSONAL use as desktop/ mobile wallpaper. 100% of the profits from these sales will be donated to FOODBANKS CANADA. ($5./ image downloaded)
Here is a full list of the jury/reviewers:
Liz Sullivan / Maclean’s Magazine/ Director of Photography
Natalie MacNamara/ NAMARA represents
Andrew Tolson/ Editor-in-Chief, Video/ Rogers Media, Publishing Division
Raff Melito & Julie Belanger/ Junction Reps & Full Serve Productions
Nuno Silva / Stocksy United
Thomas Bouquin / enRoute Magazine
Adam Snellings / Art Director, Branded Content
Derek Shapton / Westside Studio – Photographer
Dolores Gubasta / KlixPix Photo Agency
Ruth Alves / Art Director
Alexis Marie Chute / Curator
Jean-Francois Proulx / Direction artistique + collaboration graphique
Janetta Dancer/ Art Manager/Simon and Schuster /Publishing – NYC
INFOCUS PHOTO UPDATE:
- The curation process is underway.
- All photographers will hear back from us by the end of November at the latest regarding their submission.
- Many talented photographers entered! We feel incredibly honoured to be able to exhibit and promote the work of so many photographers in our country!
- More updates coming soon.
The InFocus Photo Exhibit & Award call for submissions deadline is Sunday, October 30 at midnight. As the curator of InFocus, this is one of my favorite times of year. It’s like Christmas. Throughout the fall, submissions flow in for InFocus and when the deadline passes, I get the honour of viewing and experiencing so much amazing photography. It truly is a great gift.
I want to give a little insight into what makes up a successful submission. Everyone does things a little differently, but here are a few helpful tips:
- I look for photographers that have something to say. When you are thinking about what images you will be submitting, ask yourself: What would the first reaction be from someone who has never seen this photograph before? What am I communicating through my aesthetic and technical choices?
- Your vision as a photographer must come through in your photographs. “Art talk” never sways me if the work itself is not strong. Your artist statement and descriptions play second fiddle to the photographs. The work must be able to stand alone.
- That said, I read all artist statements and will especially be turning a keen eye to the answers to the theme “The Future” this year. I do appreciate thoughtful responses. If your words provoke deep reflection, this is a good thing.
- If you worry your photography is too weird/ordinary/conceptual/abstract/etc. – please DON’T FRET : ) You don’t have to fit a mold. I am looking to experience your unique perspective on the world. That is going to be totally different from the next photographer – and that’s OKAY.
- Submitting three or more images from totally different styles or subjects is fine – if those are your strongest images. If you don’t have a cohesive group of related photographs, only enter your best work.
- On the other hand, as the curator, I get a much better sense of your vision if you enter three (or more) photographs that relate. It is often in these instances where I may choose one or two or even three of the images you have entered. These would be displayed together.
- If you have more than one body of work you want considered, I would recommend entering twice, for example. The first three images in submission 1 will be from your first body of work. The second three images in submission 2 will be from your second body of work. This way I can get the best sense of each grouping. Out of the two entered, only one group of images may be chosen, but this is more likely to result in a successful entry than trying to fit both bodies of work within one submission of three images.
- It is very important that you know the size of your photograph and the finished framed dimensions as well. I look at the sizing when selecting the images. Knowing the dimensions of the gallery, I make sure I choose the right amount of work so the show does not feel too squishy or too sparse. This is why I would really appreciate you considering these dimensions carefully before entering.
- I do not have a preference for large pieces over small, or vice versa. When people ask me about the size to print their photos, I always advise that you must first look to the work itself. Does it demand a grand scale? Or would it present better smaller, drawing viewers to step closer? There is not right or wrong answer.
If you have other questions, I would love to answer them for you!
Just a few days ago I had a great phone call with a student photographer from Ontario. She had lots of relevant questions (many I have answered above) and she is very eager to enter. Her love of photography shone through during our conversation. That is what I am looking for: people who love this creative medium and are exploring it – and the world around them – in their own special ways.
With just a few days till the deadline, pop me an email if you have something you’d like to run by me email@example.com I look forward to hearing from you!
Alexis Marie Chute, InFocus Curator