The deadline to enter your photography to PhotoEd Platform is tomorrow – Friday, November 18! This is a unique opportunity for Canadian photographers. I am passionate about the creative community in this country, and I’m proud to be a jury member for PhotoEd Platform.
Here is a little about PhotoEd Platform:
The PhotoEd Platform project is a new, and innovative extension of a traditional print publication that will build on the editorial mandate of PhotoEd magazine; to promote and inspire new Canadian contemporary photography production and dialogue.
Here is a little description about the theme:
Images accepted by the Jury will become part of the premiere collection on the PhotoEd Platform titled ‘Nourish’. Jury members list can be found at: www.photoed.ca. Photographers may submit up to 5 images for consideration.
Submit images that NOURISH.
Share what nourishes the body, mind and spirit. This theme allows photographers to share their creative interpretations on what nourishment means to them as creatives.
Consider the connections viewers will have with this theme, and how sharing your work in this context will literally and directly promote the facilitation of nutritional aid within your communities.
How the photographs will be promoted:
Images in the collection will be available for public sale on the platform as:
- High-res images available for commercial license. Images are available for commercial/ editorial use. License fees will vary according to usage. Profits from commercial license sales are divided equally between the PhotoEd Platform & the artist.
- High quality 11x14inch fine art prints. (estimated price $100.) Profits from print sales are divided equally between the PhotoEd Platform & the artist.
- Low-res digital images for PERSONAL use as desktop/ mobile wallpaper. 100% of the profits from these sales will be donated to FOODBANKS CANADA. ($5./ image downloaded)
Here is a full list of the jury/reviewers:
Liz Sullivan / Maclean’s Magazine/ Director of Photography
Natalie MacNamara/ NAMARA represents
Andrew Tolson/ Editor-in-Chief, Video/ Rogers Media, Publishing Division
Raff Melito & Julie Belanger/ Junction Reps & Full Serve Productions
Nuno Silva / Stocksy United
Thomas Bouquin / enRoute Magazine
Adam Snellings / Art Director, Branded Content
Derek Shapton / Westside Studio – Photographer
Dolores Gubasta / KlixPix Photo Agency
Ruth Alves / Art Director
Alexis Marie Chute / Curator
Jean-Francois Proulx / Direction artistique + collaboration graphique
Janetta Dancer/ Art Manager/Simon and Schuster /Publishing – NYC
INFOCUS PHOTO UPDATE:
- The curation process is underway.
- All photographers will hear back from us by the end of November at the latest regarding their submission.
- Many talented photographers entered! We feel incredibly honoured to be able to exhibit and promote the work of so many photographers in our country!
- More updates coming soon.
The InFocus Photo Exhibit & Award call for submissions deadline is Sunday, October 30 at midnight. As the curator of InFocus, this is one of my favorite times of year. It’s like Christmas. Throughout the fall, submissions flow in for InFocus and when the deadline passes, I get the honour of viewing and experiencing so much amazing photography. It truly is a great gift.
I want to give a little insight into what makes up a successful submission. Everyone does things a little differently, but here are a few helpful tips:
- I look for photographers that have something to say. When you are thinking about what images you will be submitting, ask yourself: What would the first reaction be from someone who has never seen this photograph before? What am I communicating through my aesthetic and technical choices?
- Your vision as a photographer must come through in your photographs. “Art talk” never sways me if the work itself is not strong. Your artist statement and descriptions play second fiddle to the photographs. The work must be able to stand alone.
- That said, I read all artist statements and will especially be turning a keen eye to the answers to the theme “The Future” this year. I do appreciate thoughtful responses. If your words provoke deep reflection, this is a good thing.
- If you worry your photography is too weird/ordinary/conceptual/abstract/etc. – please DON’T FRET : ) You don’t have to fit a mold. I am looking to experience your unique perspective on the world. That is going to be totally different from the next photographer – and that’s OKAY.
- Submitting three or more images from totally different styles or subjects is fine – if those are your strongest images. If you don’t have a cohesive group of related photographs, only enter your best work.
- On the other hand, as the curator, I get a much better sense of your vision if you enter three (or more) photographs that relate. It is often in these instances where I may choose one or two or even three of the images you have entered. These would be displayed together.
- If you have more than one body of work you want considered, I would recommend entering twice, for example. The first three images in submission 1 will be from your first body of work. The second three images in submission 2 will be from your second body of work. This way I can get the best sense of each grouping. Out of the two entered, only one group of images may be chosen, but this is more likely to result in a successful entry than trying to fit both bodies of work within one submission of three images.
- It is very important that you know the size of your photograph and the finished framed dimensions as well. I look at the sizing when selecting the images. Knowing the dimensions of the gallery, I make sure I choose the right amount of work so the show does not feel too squishy or too sparse. This is why I would really appreciate you considering these dimensions carefully before entering.
- I do not have a preference for large pieces over small, or vice versa. When people ask me about the size to print their photos, I always advise that you must first look to the work itself. Does it demand a grand scale? Or would it present better smaller, drawing viewers to step closer? There is not right or wrong answer.
If you have other questions, I would love to answer them for you!
Just a few days ago I had a great phone call with a student photographer from Ontario. She had lots of relevant questions (many I have answered above) and she is very eager to enter. Her love of photography shone through during our conversation. That is what I am looking for: people who love this creative medium and are exploring it – and the world around them – in their own special ways.
With just a few days till the deadline, pop me an email if you have something you’d like to run by me firstname.lastname@example.org I look forward to hearing from you!
Alexis Marie Chute, InFocus Curator
The mission of InFocus is to promote and exhibit innovative, thoughtful, and provocative photography created by Canada’s contemporary image makers.
The call for submissions is open to professionals, armatures and students alike. We want to see forward thinking photography that capitalizes on the strengths and subtleties of the medium and takes image-making to a new level.
The goal is to exhibit the best photography from the country!
Here are 15 reasons you should submit to InFocus:
2. Your work will be featured in Exposure Photography Festival, a critical festival of photography in the country.
4. PhotoEd Magazine will be publishing a feature on InFocus and you could see one of your images included in the spread.
5. Sell your work during InFocus. The gallery and InFocus Team will encourage art patrons to support photographers and our creative community in this way.
6. Become a part of the InFocus Alumni and network with other photographers and professionals during exhibit and afterwards.
7. Snatch up a volunteer opportunity with InFocus Exhibit 2017 to gain experience mounting and running an exhibition. Email Alexis Marie to find out how to help email@example.com
8. Add this noteworthy exhibition to help grow your creative CV.
9. Attend a rockin’ reception party on Thursday, February 9, 2017 at 6-9pm with live music and yummy snacks (and invite your family and friends!).
10. Have your work discussed for its merits and inclusion in the show by curator Alexis Marie Chute. This takes place during the Curator Talk on Thursday, February 9 at 7pm in the gallery.
11. Immerse yourself in photography, discover other image-makers from across the country, learn from them AND take your own work to the next level.
12. Each photographer’s Artist Statement and CV will be displayed at the exhibit to educate the visitors about your work.
13. Have something cool to talk about on Facebook and Twitter other than what you had for breakfast (although we’re sure it was delicious!).
14. Take advantage of InFocus’s national platform to bring more attention to your hard work.
15. Finally, just like the InFocus theme (THE FUTURE), your participation in InFocus will set you apart as a noteworthy photographer to watch.
Submit to InFocus Photo Exhibit by clicking here. Deadline October 31, 2015!
Follow InFocus Photo on Twitter.
InFocus Photography Exhibition and Award is looking for the next big name in photography in Canada. Why are you one to watch? What are you doing differently? What old technique are you making new? Tell us: what do you have to say?
One of the great things about being a curator of a group exhibition like InFocus, is that I have the privilege of seeing some of the most talented, forward-thinking and exciting artists. I am truly proud to be a part of this great show and cannot wait sift through all the amazing entries.
InFocus is a photography exhibition that welcomes any Canadian photographer to enter their work. You could call yourself an amateur, be a student, or a veteran pro. Whoever you are, whatever your subject; we want to see what you’ve got.
This year, the theme of InFocus Photo is… THE FUTURE.
This is a broad theme, open to interpretation. We welcome photographers to submit their best photography that relates to this theme in some way. It could connect through:
1. The technique used
2. The message conveyed, or
3. The subject of the photographs themselves
Here are some provoking questions when thinking about “The Future.”
- What is the future of photography?
- What makes Canadian photography distinct?
- As a photographer, where are you going?
- What do you have to say – and in what unique way are you saying it?
- How does your photography provoke your viewers?
- Why are you a photographer to watch – now and in the years to come?
- What innovative techniques are you using or what old processes are you making new again?
The Future” is an abstract theme. We believe it can speak to all photographers, whatever the subject matter, including fine art, portraiture, nature, urban landscapes, editorial, commercial, conceptual, documentary, journalistic, social commentary, architectural, still life, wildlife, travel, multi-medium, three dimensional, and beyond.
Enter by October 16, 2016 for regular rate – $25 for 3 images
Extended deadline October 30, 2016 – $35 for 3 images
Enter online at www.infocusphoto.ca/infocus-submission/
Learn more about InFocus at www.InFocusPhoto.ca