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InFocus Exhibit 2016 Photo Submission Q&A

Do you have questions about InFocus Photo Exhibit 2016? We have answers. If you don’t find the answer you are looking for below, please send us an email to infocus@alexismariechute.com, with the subject line: “Question about InFocus 2016.”

Infocus2016forAMArt

InFocus Exhibit 2016 Photo Submission Q&A

Is there a theme for the InFocus Exhibit?

There is no theme or categories for the exhibition. It is an open-theme show which means you may submit photographs of any subject you like. The goal of InFocus is to exhibit the best work by Alberta photographers.

Is there a limit to the number of photographs I can submit?

No. You can submit as many photographic images as you’d like. The cost to enter is $25 per three images. If you want to enter more than three, you may do so in a subsequent entry.

Am I guaranteed to be included in the exhibition?

No. As the goal of InFocus Photo Exhibit is to show the best work from Alberta, and also the fact that our space is limited, only a select number of photographs and photographers will be included. Even if your work is not selected, it may just mean we ran out of space and we strongly encourage you to submit again next year.

Who can submit to InFocus?

Anyone living in Alberta may submit. The competition is open to professionals, amateurs, students and young people.

How will the photographs and photographers be selected?

InFocus is curated by Alexis Marie Chute, BFA, MFA. She will select the images for inclusion from all submissions. She is looking for high quality photography that exhibits the talent and interests of our creative community. Alexis Marie won the prestigious John Poole Award for Promotion of the Arts in 2015 for her work with the inaugural InFocus Exhibit that same year.

Where will the photographs be displayed?

InFocus will be hung in the Edmonton based commercial gallery DC3 Art Projects.

Why is it important that InFocus is a part of Exposure Photography Festival?

2015 was the first year Exposure Photo Festival was province wide. In the past, Exposure only included Calgary, Banff and Canmore. Celebrating the creativity of our entire province sets the bar high and is a strong platform to promote local talent and launch emerging photographers.

When will the exhibition take place?

InFocus will be open to the public for viewing during the DC3 Art Projects gallery hours throughout the entire month of February, 2016. Gallery hours: Wednesdays 12 – 5 pm, Thursdays 12 – 8 pm, Fridays 12 – 5 pm, and Saturdays 11 – 5:30 pm. Other times by appointment.

What is the deadline to submit to InFocus Photo Exhibit?

To be considered for the featured image to represent InFocus in the Exposure magazine, the deadline is OCTOBER 15, 2015. The call for submissions for InFocus will officially close on OCTOBER 31, 2015. Please submit early.

What is the schedule of when photographers will be notified, and when I would need to drop off my work and pick it up?

Please see the official call for submissions page for the InFocus Photo Exhibit schedule.

Do I need to resize my files for submission?

Yes. Please see the InFocus Photo Exhibit technical details on the official call for submissions page.

Does my photograph(s) need to be framed to be accepted?

Your images must be prepared in a professional manner for exhibition. What that means is that they need to be printed at a high quality and either professionally framed or printed on canvas and stretched. No decorative or multi-coloured frames will be accepted. All photographs must be wired for easy hanging. Any work accepted for the exhibition but then delivered without the above listed standards, will be disqualified from the exhibition.

What do you recommend for framing?

Professional framing is always best but professional quality consumer frames will also be accepted. There must be real glass or non-glare Plexiglas, not plastic, used in the framing. Simple black/white/wood frames with mated images are a classic way to present your photograph(s). Please note the type of framing/presentation method chosen when submitting your work.

How much mating should I have around my photographs?

The size of the mat is personal preference and also a consideration of style and impact. It can be visually catching to have a smaller image with a large mat, or no mat around a photograph in a simple frame, for example. Generally, a minimum of two inches of mat around an image will give the photograph room to breathe.

Do you accept mixed media art?

We will accept mixed media art as long as the primary medium is photography. If you have questions about your specific piece, please email Alexis Marie Chute: info@alexismariechute.com

What size should I make my photographs for the exhibition?

This is up to you. If you are flexible regarding the size you print your image(s) for the exhibition, please note this in your submission form. Depending on space factors and the number of works to be shown, extremely large photographs may not fit – but this is where the curatorial magic comes in. At the end of the day, size your images to match your vision. Please state the image printed size and the final framing size in your submission.

Why do I need to submit my CV and artist statement?

This information will be printed and available for viewers of the exhibition. This information is often of interest to visitors wishing to purchase a photograph. Things to list on your artist CV that relate to you as a photographer: education, classes, exhibitions, publications, collaborations, memberships, volunteering, grants, etc. If you do not have anything to list in these categories – that’s okay! Maybe InFocus will be your first accolade on your new photography CV. If you do not submit a CV, that is totally fine. Please remember to put your NAME on all word or pdf documents submitted.

What is important to include is your artist statement: This can be as short as a few sentences to a few paragraphs. In your artist statement you can talk about how you got interested in photography, how you take your photographs, why photography is important to you and the meaning behind your work.

Can I submit a series of photographs?

Yes. The whole series may be accepted or only one image, depending on space.

Why is there a fee to submit?

InFocus Photo Exhibit is a volunteer effort and labor of love by the InFocus Team. The fee to submit your photographs goes to the practical aspects of mounting the exhibition. Such expenses include: listing the exhibition in the Exposure magazine, advertising the show, marketing & PR, printing invitations and posters, venue insurance, reception party snacks and wine, small printed programs for the show, web and domain hosting, and competitions.

How do you accept payment?

Payment is made by PayPal, either by a PayPal account or through their system using a credit card. You do not need a PayPal account to pay by PayPal.

Can I sell my photograph(s) displayed during InFocus Photo Exhibit?

Yes! One of the goals of InFocus is to support our local creative talent. All photographers will earn 50% from their sale of their work, as per standard commercial gallery commissions. Gallery staff and InFocus volunteers will strive to sell the photographer’s work and will provide interested buyers with the photographer’s contact information and purchase details.

How can I volunteer for InFocus Photo Exhibit?

InFocus has many volunteer opportunities including: hanging and striking the show, distributing the call for submissions and exhibition posters, manning the show, and setting up for and clean up after the reception, for example. If you would like to sign up to volunteer, first of all: THANK YOU! Please contact Alexis Marie to be added to our volunteer list: info@alexismariechute.com

How should I price my photograph(s)?

This is a personal decision. Some things to consider: printing costs, framing costs and your own value as a photographer (your worth should never underestimate yourself). Think about what price you are comfortable selling your work. Please do not value your work too low. If your photography is accepted into InFocus, you may discuss the price with the curator at that time.

What should I list for the date and medium of my photographs?

The date should be listed as the year the image was made. The medium can be something to the effect of “Photograph” or “Photograph on aluminum” or “Mixed-medium Photograph” or “Giclée print” for example.

What is the Curator Talk?

At 7:30pm on Thursday, February 4, 2016, curator Alexis Marie Chute will discuss the ideas and importance behind InFocus Photo Exhibit and Alberta photography, as well share about the images and photographers selected for the show.

When is the reception party taking place?

The InFocus Photo Exhibit opening reception (party!) is on Thursday, February 4, 2016, from 7 – 10pm. There will be live music, snacks and drinks. If you would like an invitation to the reception party, please send your mailing address to info@alexismariechute.com. RSVP please to help the InFocus Team. All photographers are encouraged to attend and invite their family and friends. It is going to be a great night!

 


 

If you have questions not addressed here, please email infocus@alexismariechute.com and you will receive timely answers. Odds are that if you are wondering, others are as well.

Best wishes for submitting to InFocus Photo Exhibit! We look forward to seeing your work!

Click here to read the InFocus Photo Exhibit Call for Submissions.

Click here to Submit to InFocus Photo Exhibit.

Like InFocus on Facebook.

Follow us on Twitter: @InfocusPhotoCAN

 


 

Kevin Tuong Photography: Special Guest Post

Alexis Marie: I have loved sharing the stories and inspirations of some truly interesting individuals during the InFocus Alumni photography blog series. Are you excited about InFocus 2016? We will soon release the call for submissions and we would love to see your work. For now, I’m pleased to introduce Kevin Tuong.

Welcome Kevin!

Guest Post

Some people get their first camera at a young age from a significant family member, and that influence inspires them for the rest of their life to create beautiful photographs. My story is… not remotely close to that. I got my camera three days before my 19th Birthday not from a family member, but from Futureshop. It wasn’t because I’ve always been interested in photography and wanted to learn the art of creating beautiful imagery; instead.. it was simply because it was a “kit” with an extra battery and a bag and it was on sale. How inspirational – I know.

Kevin infocus_guestblog-1

It wasn’t like I wanted a camera because I was interested in photography either, I actually knew little to nothing about photography and didn’t actually care at the time. I just never owned anything more than a shoddy webcam that shot 2 megapixel images before in my life, and felt like having a DSLR was cool. But once I started taking pictures with it, and noticed that “blurry background” effect it had that point and shoots don’t have, it sparked my interest, and that’s when the life-long learning process for me began.

Kevin infocus_guestblog-2

From then on I read tutorials, watched videos, and played around with every effect in Photoshop just to learn what they did and how I could use them (and made some atrocious images because of this). Then one day when photographing a Chinese Opera performance, someone who was an actual photographer saw me struggling in the low-light environment and lent me his on-camera flash. I was hesitant as first because I felt like it was rude to just take someone’s flash, and the fact that I had no idea how to use it. I wasn’t even sure if it was compatible with my camera at the time, simply because I didn’t know how it went on the camera itself. But after playing around with that flash and seeing how it made a difference in the shot, a whole new door was opened for me. Camera gear and accessories… oh what a money draining door that would become.

Kevin infocus_guestblog-3

Of course, gear isn’t everything and a photographer still needs to know what they’re doing in order to maximize that piece of gears potential use. But with each piece of equipment that I acquired, it opened other doors with new techniques I could learn and apply to my photography. I find that photography is a never ending adventure of creative learning. I remember when I first started out, and I saw these images of beautifully done photographs, I wanted to learn how to do it. Then after years of practice and experience, I look back on some of those photographs that once inspired me, and I feel like I’ve caught up to them and can produce photographs of that level. But all that means is that I’ll find new photographs to inspire me, to push me, and to learn from to help better my own photography.

 

Photography to me is a never ending creative adventure filled with imaginative ideas and fantastical story telling designed to speak to and inspire the viewer. One can never stop learning in photography, there’s always something new and different that we can learn and try for ourselves. Further more, no photographer should ever sit at the top and be “the best”, because the very moment that any person does, that person is no longer learning, and no longer improving, and their art will no longer evolve.

To look at more of Kevin Tuongs awesome photography, click here to go to his website KTB Photography

 

 

 

 

Robert Pohl Photography: Special Guest Post

Alexis Marie: I have loved sharing the stories and inspirations of some truly interesting individuals during the InFocus Alumni photography blog series. Are you excited about InFocus 2016? We will soon release the call for submissions and we would love to see your work. For now, I’m pleased to introduce Robert Pohl, a modern photographer engaging traditional processes.

Welcome Robert!

 

GUEST POST

 

"Piano" copyright Robert Pohl

“Piano” copyright Robert Pohl

My name is Rob Pohl.  I was born in Edmonton over half a century ago and have lived here my entire life.  I’ve been photographing the area specifically, but the world in general for about 35 years.  I started out shooting film, and have stayed with it.  I spend my working days in an office staring at a computer monitor.  When I want to escape from that world and immerse myself in my photography, the last thing I want to do is spend yet more hours staring at a stupid monitor. While the masses have embraced digital photography and image manipulation software, I continue to work with film and traditional wet photography.   I enjoy the relaxation and escape of the darkroom, the mixing of the chemistry, the experimentation, and the process of creating something with my hands.  I shoot black and white film and process and print everything myself.  In this age of digital photography that makes me a dinosaur.  But I also think that it sets me apart from the masses that blast away with digital cameras.  My approach is much more methodical and measured and I try to make every shot count.

"Schoolhouse" copyright Robert Pohl

“Schoolhouse” copyright Robert Pohl

Most of my work is shot with a large format 4″ x 5″ view camera.  A dabble a little with medium format roll film, and with the even larger 8″ x 10″ format.  I shoot mostly landscapes, landscape details, and historical images.  It disturbs me somewhat that our province is falling victim to massive population growth and extensive development.  Mankind seems too wrapped up in economic growth and development and seems to place little value on the natural world, and a responsibility to our planet.  We all need to step back and take a deep breath and garner a little appreciation for the world around us, and what our lifestyle is doing to it.  Hopefully my imagery helps to illustrate an appreciation for where we have come from, where we are going, and what the consequences are.

"Rock Pool" copyright Robert Pohl

“Rock Pool” copyright Robert Pohl

In early 2015 I became involved in the InFocus Photography Exhibition that has expanded from Calgary and Banff, to the provincial level.  The YEG show in Edmonton that I was involved in was curated by Alexis Marie Chute.  I felt privileged to be included in that show, and hope to take part in future exhibitions.  I’ve included a selection of images that are typical of my work.  I regularly post work to my Flickr account, and to my blog…

https://www.flickr.com/photos/130527519@N08/

www.robertspohl.blogspot.com

 

Gerry Dotto Photography: Special Guest Post

Alexis Marie: Continuing on in the InFocus Alumni photography blog series, I am pleased to introduce Gerry Dotto. Taking the everyday and making it interesting is quite a feat. I hope you enjoy Gerry’s images and the way he expounds on them.

Welcome Gerry!

 

GUEST POST

 

On a recent trip to Boston, I visited the Museum of Fine Arts to see an exhibition of works by two historically prominent photographers: Herb Ritts and Gordon Parks. It was a great show, and the impact of seeing iconic photos up close and in person really left an impression. This experience truly underscores the importance of getting one’s photographs printed and, if the occasion arises, put on display. It’s one thing to look at a digital image on the screen, but it’s no comparison to a well-printed photograph that allows you to truly appreciate the tone, the light and the detail.

 

copyright Gerry Dotto

“Stickers or Stamps, Crutches or Stilts” 2014, Digital print on photo paper 22” x 17” (55.9 x 43.2 cm) image size Edition of 30, copyright Gerry Dotto

I recently had the opportunity to participate in the InFocus Edmonton exhibition, where I showed a photo from a series I’ve been developing called “Flow of Traffic Theory.” My work is conceptual in nature and is based on exploring our interaction with everyday forms of visual communication. This series originated from my fascination with the simplicity and universality of the imagery used on road signs. Specifically, signs whose words and symbols have become obscured or distorted in some way.

 

Peach Inspediment - Composite 1, 2014, Digital print on photo paper, 22” x 16” (55.9 x 40.6 cm) image size, Edition of 30, Copyright Gerry Dotto

Peach Inspediment – Composite 1, 2014,
Digital print on photo paper, 22” x 16” (55.9 x 40.6 cm) image size, Edition of 30, Copyright Gerry Dotto

Over the course of the last several years, I’ve kept a keen eye out for road signs that have been damaged, run over, victims of adverse weather or compromised by construction. The interesting thing is that these signs are generally overlooked by drivers—no need to look at a sign that can’t be read. The signs, in effect, become “invisible.” The value of these signs, relative to the message they once carried, has been lost. They now take on an aesthetic value of their own, either in their appearance, the reinterpretation of their message or based on the context of their physical location. The images in this series set out to reveal the relative beauty of these objects that have lost their inherent value.

 

"Red Cross" 2012, Digital print on photo paper, 22” x 15.5” (55.9 x 39.4 cm) image size, edition of 30, Copyright Gerry Dotto

“Red Cross” 2012, Digital print on photo paper, 22” x 15.5” (55.9 x 39.4 cm) image size, edition of 30, Copyright Gerry Dotto

During the run of the InFocus Edmonton exhibition, I met a few photographers whose work I was familiar with but hadn’t had the occasion to meet yet. Seeing my work in relation to theirs, as well as other photos in the show, fostered some new perspectives on how I approached my own picture making. I realized that many of my photos of road signs were taking on human characteristics, in the sense that I was portraying them like they were portraits of people—people wearing masks. What are they hiding? Is it about insecurity? A secret identity? Is it a game? In the end, these photos offer more questions than answers.

 

Ultimately, photography is a medium about “showing” what’s in our world and, in theory, it captures “truth.” The photographic print remains the best medium for revealing the photographer’s vision. Personally, I benefitted from this exhibition experience when deeper aspects of my own work were revealed to me. While I set out to show the world my vision, I’m hiding from it, too. You can see more of my work on my website, gerrydotto.com, or contact me at gerry@gerrydotto.com

 

 

Martin Snider Photography: Special Guest Post

Alexis Marie: We continue the InFocus Alumni photography blog series with photographer Martin Snider. Martin has a unique perspective on the world and I’m glad he is sharing it with us.

Welcome Martin!

 

GUEST POST

 

Thinking back, I can remember those frigid mornings spent on the barren prairies of the greater CFB Wainwright training area.  I watched the brilliant pinks and oranges set fire to the sky as the sun would crest the horizon, spilling rays of light onto the frost covered blades of grass below.  At the time such scenes were not often the object of my focus, however, I can recall them vividly now.  On occasion though, the opportunity might arise long enough for me to snap a quick picture to send back home, serving as a postcard to a world beyond my immediate one. Without even realizing it at the time, that’s where my romance with the lens and world began.

Copyright Martin Snider

Copyright Martin Snider

Its been a little while now, since that chapter of snapping covert sunrise cell phone pics began. In the mean time a lot has changed. The learning curve was pretty steep for someone who’s photographic experience had been limited to taking maybe 5 rolls of film in their life (with an old film point and shoot none the less). Through much trial and error, as well as guidance from colleagues and friends, an image of my place in the photo scene is now starting to develop.

As a rookie to this, I have been infinitely fortunate in working along side some incredibly talented individuals. They have greatly aided in inspiring me, as well as guiding my course in the right direction.  Being one of the featured artists in this past years InFocus YEG exhibition, has to date been one of the largest contributing factors in encouraging me to pursue my dream of becoming a professional photographer. Receiving such recognition has only given validity to my experiment in challenging perspective, while at the same time practicing my technique and creativity.

Copyright Martin Snider

Copyright Martin Snider

Modern technology and social media have also been highly instrumental in aiding my attempts at visual story telling.  Through Instagram I’ve collected a catalogue of photos, documenting my travels, as well as moments from my day to day life.  Included in this album are various highlights from a summer spent adventuring through British Columbia’s interior as well as Vancouver Island and the American Pacific North West.  At this time I’m looking forward to utilizing social media further by incorporating Tumblr and Snapchat to share more of the story behind the photos.

To be able to wake up every day and live out your passion, all the while being the person who you were made to be, is the ultimate goal for me.  In my eyes, that’s what true freedom is.  To communicate the beauty and mystery in life through an image is what continues to give these attempts meaning and provides the drive which always draws my best foot forward.  Hopefully that shows through my work and breathes authenticity in each photo.

Copyright Martin Snider

Copyright Martin Snider

 

Life is a story, how will you tell yours?

 

Best Regards,

Martin Snider

 

Facebook: M. Snider Photography

Instagram: @after.mars

Tumblr: www.tumblr.com/blog/aftermarsphoto

Snapchat: mjrsnider

 

Hedy Bach Photography: Special Guest Post

Alexis Marie: I am excited to kick off the InFocus Alumni photography blog series with Hedy Bach. She is a perceptive and thoughtful woman, not to mention a blossoming photographer. I hope you enjoy her words and images.

Welcome Hedy!

 

GUEST POST

 

Some days opening up an email can be both joyous and a grateful surprise.

 

Dec 14, 2014 at 8:58 PM, InfocusYEG <infocus@alexismariechute.com> wrote: 

Dear Hedy Bach,

Congratulations! I am happy to inform you that your work has been selected for the inaugural InFocus Edmonton exhibition!

Sincerely,

Alexis Marie Chute, Curator

InFocusYEG.com

@infocusYEG

We have chosen your following image for InFocus:

 

Hedy Bach Photography

Copyright Hedy Bach

 

Through the encouragement of my dear friend Eva I had entered my photography work to the InFocus Edmonton exhibition…so having my photograph selected by Alexis Marie along side of other local photographer’s works for this exhibition was both exciting and humbling…now I hope these sorts of experiences will be followed by many other photography exhibitions.

 

As an image-maker I study how the world around me looks and sounds through ordinary harmony and fittingness. I work daily with my camera and with words to compose beautiful “thought things” (Arendt, 1978) as a way to form ideas and to inspire reflection and rumination; perhaps start a conversation.  I am intentional in choosing to photograph my life with beauty… beauty as consoling, disturbing, sacred, profane; it can be exhilarating, appealing, inspiring, chilling. And it may affect us in unlimited ways. Yet it is never viewed with indifference.

 

Hedy Bach Photography

Copyright Hedy Bach

 

Exploring Scruton’s (2009) concept of beauty, means I ask what makes an object – either in art, in nature, or the human form – beautiful? I examine how I compare differing judgements/positions of beauty when it is evident all around us knowing that aesthetic tastes vary widely. I often ask myself is there a right judgement to be made about beauty? In my image based work I try to create a sense of meaning in the beautiful objects and experiences that fill my life.

 

My photographs are allegories for my understandings of human desire for settlement of spaces and places in which people and things fit together. I appreciate beauty along side of my sense of “disinterested interest.” as I try to negotiate my subjectivities of looking and composing my “thought things” with ideas of why beauty matters, to see the remedy of beauty as an instrument of peace.

 

Hedy Bach Photography

Copyright Hedy Bach

Please contact Hedy Bach:

http://sloppybuddhist.com/

http://hedybach.tumblr.com/

https://www.etsy.com/ca/shop/HedyBachProductions

hefbach@gmail.com

 

Come be Inspired by Photography at InFocus Edmonton – Exhibition starts Tomorrow!

InFocus Edmonton starts tomorrow and you don’t want to miss it! The doors open at 10:00am on Saturday, February 21, followed by evening activities beginning at 6:30pm with the Curator Talk by yours truly. After that, at 7:00pm the opening party officially kicks off with wine and snacks. It will be a great time of mingling, creative conversations and, most importantly, amazing photography by some of Edmonton’s artistic gems. Later in the evening, Mohsin Zaman will grace us with his music. It is sure to be a very memorable night! Then Sunday, February 22, the gallery is open from 10:00am to 5:00pm.

InFocus Edmonton photographers:

Akemi Matsubuchi

Al Dixon

Alicia Proudfoot

Bethany MacCallum

Brady Simpson

Bri Vos

Candace Makowichuk

Chan Rin

Christine Rossi

Christopher Shaw

Colin Vince

Curtis Trent

Dan McKechnie

Darrin Hagen

Daryl Kozub

David Aaron

Dawn LeBlanc

Eric Petersen

Gerry Dotto

Hedy Bach

Jenn Hang

Jonathan Schell

Karue Wahchira

Kevin Tuong

Marc Chalifoux

Martin Snider

Nicolas Abarca

Robert Pohl

Tim Lutic

Wilfred Kozub

InFocus Edmonton YEG invitation Alexis Marie Chute Photography exhibit info

InFocus Edmonton:

Location:

Drawing Room, Annex Building,

Harcourt House Artist Run Centre

10211-112 Street, Edmonton, AB, CAN

Exhibit Hours:

Saturday, February 21, 2015, 10:00am – 10:00pm

Sunday, February 22, 2015, 10:00am – 5:00pm

Events:

Curator Talk – Saturday, February 21, 6:30pm

Opening Reception – Saturday, February 21, 7:00pm

Please click here to learn more about InFocus Edmonton and to RSVP to the opening.

Also, connect with InFocus on Twitter and also on Facebook.

We look forward to seeing you at InFocus!

 

InFocus Edmonton Announces the Photographers Featured in its Inaugural Exhibition

With over 200 submissions, InFocus is proud to announce the outstanding photographers chosen to represent the creative talent of Edmonton and area during Exposure Photography Festival 2015.

InFocus YEG will exhibit the creative work of:

  • David Aaron
  • Nicolas Abarca
  • Hedy Bach
  • Marc Chalifoux
  • Al Dixon
  • Gerry Dotto
  • Darrin Hagen
  • Jenn Hang
  • Daryl Kozub
  • Wilfred Kozub
  • Dawn LeBlanc
  • Tim Lutic
  • Bethany MacCallum
  • Candace Makowichuk
  • Akemi Matsubuchi
  • Dan McKechnie
  • Eric Petersen
  • Robert Pohl
  • Alicia Proudfoot
  • Chan Rin
  • Christine Rossi
  • Jonathan Schell
  • Christopher Shaw
  • Brady Simpson
  • Martin Snider
  • Curtis Trent
  • Kevin Tuong
  • Colin Vince
  • Bri Vos
  • Karue Wahchira

 

The featured image to represent InFocus during Exposure is Brady Simpson’s “Playing Cards.” Well done, Brady.

 

Congratulations to all InFocus Edmonton 2015 photographers!

 

InFocus Edmonton Exhibition

February 21 – 22, 2015

Annex Gallery at Harcourt House

10215-112 Street, Edmonton, AB

Saturday, February 21: 10am to 10pm, 6:30pm Curator Talk, 7pm reception with live music

Sunday, February 22: 10am to 5pm

 

To volunteer for InFocus Edmonton please email Alexis Marie: info@alexismariechute.com

 

Other posts about InFocus YEG:

15 Days into our Call for Submissions and 15 Reasons Why You Need to Submit

Q&A To Help Prepare Your InFocus Edmonton Photography Submission

Hot off the Photographic Presses: The InFocus Edmonton Call for Submissions

Exposure Photography Festival Broadens its Scope to include all of Alberta

Happy Halloween: Submit your Photography to InFocus Yeg

Last Chance to enter your Photography in InFocus YEG

Tomorrow – Sunday, November 30, 2014 – is your last chance to enter Infocus Edmonton!

It’s scramble time, people!

Find your best photographs and enter them here.

For more information about InFocus Edmonton, read, “Hot off the Photographic Presses: The InFocus Edmonton Call for Submissions!

To learn why you should enter for a chance to participate in the exhibition, check out: “15 Reasons Why You Need to Submit

Visit the InFocus YEG call for submissions and image entry page here.

If you (a) live in Edmonton or in a surrounding area, (b) are a photographer and (c) want to share your work – now is the time! Enter InFocus YEG for a chance to participate in this exciting exhibition.

Happy Halloween & Reminder: Submit your Photography to InFocus YEG

The first month in our call for submissions for InFocus YEG is nearing an end. If you have submitted already, THANK YOU! If not, there is still time. Locate your best pictures and enter them here. Or, if you are inspired by the spooky season, head out with your camera and capture something new. We are excited to see what you have been working on!

Happy Halloween!

 

Other posts about InFocus Edmonton:

15 Days into our Call for Submissions and 15 Reasons Why You Need to Submit

Q&A To Help Prepare Your InFocus Edmonton Photography Submission

Hot off the Photographic Presses: The InFocus Edmonton Call for Submissions

Exposure Photography Festival Broadens its Scope to include all of Alberta

InFocus Edmonton Call for Submissions

InFocus Edmonton Submission Form