I love sharing the work of other talented artists, writers, musicians and, of course, photographers. Today is a special guest post by one of the 2017 InFocus Photo photographers. I am pleased to introduce Hedy Bach! I first got to know Hedy and her photography two years ago when she submitted and showed her photography at our 2015 InFocus Photo Exhibit and Award. Hedy is a “sloppy Buddhist” and an inspirational woman in the arts. Below you will find a unique guest blog post, entirely in poem, writing about photography. On that note, I pass this post over to Hedy!
i photograph daily
i write daily
i upload images daily
i use adobe lightroom & photo apps
and i try to work mainly in camera
i play with my fujx100s & iphone 6
rarely do i go anywhere without a camera
i like small carry-around cameras
ones i can wear like a necklace
i like to feel obscure
i appreciate tripods but rarely use them
in 2011 i began to photograph with intention
before that i made snapshots
as a girl i was always looking
i learned about the surveyed and surveyors
i studied the place of the photograph
i became a visual researcher
i taught fine arts curriculum to education students
and as a researcher i worked with images and story
social justice issues, human rights, and visual ethics matter deeply to me
when i started my blog sloppybuddhist.com
i wanted to compose posts with my images
i wanted to be behind a camera
try another way of visual story telling
every day i began to photograph beauty with intention
beauty that can be consoling, disturbing, sacred, profane;
it can be exhilarating, appealing, inspiring, chilling.
i learn from
mostly i learn along the way
in ordinary everyday life
i am a member of two local photography clubs
i attend workshops, talks and competitions
i take free on line learning
i have one to one lessons with photography friends
i continue learning about the taking and making of photography.
i enjoy street photography
i like people
i like walking and talking with people
and i love wandering urban environments
i also love to be alone
walk my dogs
in early mornings just after dark
my magic hour
i love the land
in a room without a roof
i photograph in my home
i don’t need to be away to find beauty
of course i enjoy being in front of something different
being in various spaces and places
i am grateful for the opportunities that having a camera has given me.
hedy bach;s alberta
Hedy Bach’s Street Photography: A verb…
I love sharing the work of other talented artists, writers, musicians and, of course, photographers. Today is a special guest post by one of the 2017 InFocus Photo photographers. I am pleased to introduce Steve Ricketts! I first got to know Steve and his photography last year when he submitted and showed his photography at our 2016 InFocus Photo Exhibit and Award. Steve is not only a great photographer, but a truly kind human. On that note, I pass this post over to Steve!
I first became interested in photography about five years ago as a retirement project and as a homage to my Dad, and I found that I enjoyed it immensely. I find myself drawn to photography because of its ability to tell a story without the use of words. One can write at length about a topic but a single image can be much more powerful.
I’m mostly self-taught; i.e. I have no formal training in photography or in art; in fact, I’m not exactly artistic. If anything, I’m the opposite; I’m a scientist by education and work, and I take a very scientific and logical approach to photography. I have learned a great deal by reading books by photographers, by traveling with other photographers and seeing what they do, and by taking photos. Lots of photos.
I mostly do landscape photography but I also enjoy experimenting with weather (storms, noctilucent clouds), portraiture, urban photography, and the blur created by intentional camera movement. I am constantly looking for images that capture a special moment.
I use Adobe Lightroom for almost all my image processing, and Nik’s Silver Efex Pro for black-and white conversion. I try to minimize the amount of editing that I do; while today’s software allows for powerful manipulation to create a wonderful image, I prefer to challenge myself to be in the right place and at the right time to capture the image that I have in mind.
Over the past year, I have found myself drawn to doing black & white photography as I like how it draws the viewer’s attention to the contrast and texture in landscapes. I often use a telephoto lens and zoom in on a small area to capture lines and curves; it’s very much a desire for minimalism.
While the Alberta Rockies are home to a lot of spectacular scenery, there is a lot of beauty in the Alberta prairies too, and I find myself increasingly drawn to shooting the landscape in and around my home in Sherwood Park, especially in Strathcona, Minburn and Lamont Counties. That is, rather than take the viewer on a journey to see the grandeur of the Rockies, I prefer to take them on a journey around my backyard to enjoy the subtlety of the Prairies.
You can see more of Steve’s work on the InFocus Photo Exhibit & Award site by clicking here. Also, check-out the InFocus Photo People’s Choice Award by clicking here.
Other places to find Steve:
Happy Boxing Day! Since we are still in the season of giving and generosity, why not treat yourself to an amazing photographic learning and networking experience? That is where the InFocus Photo portfolio reviews come in! This brand new initiative by the InFocus Photo team is truly an amazing opportunity. Here is more info:
Students. Enthusiasts. Amateurs. Professionals. ALL PHOTOGRAPHERS WELCOME to the InFocus Photo Portfolio Reviews!
We have a rock star line-up of reviewers ready to bestow their wealth of knowledge and experience to all portfolio review participants. Online registration will begin soon. For now, if you would like to reserve your spot, please email email@example.com
Portfolio Review Date:
Friday, February 10, 2017
Bring printed photographs, a bound portfolio or images on your laptop or tablet. The reviewers will look at your work, give feedback on how to make it better or how to promote yourself – or anything else you may be wondering about with your photography.
One registration will give you ten (10) minutes with each of our four talented and generous photographers in a speed-dating style review.
THERE ARE ONLY 16 SPOTS AVAILABLE.
Here is a little bit about the reviewers:
REVIEWER – Akemi Matsubuchi
Akemi Matsubuchi was born in Montreal, Quebec, and lived in several countries before settling in St. Albert, Alberta. Her love of photography harkens back to the age of 10 when Akemi’s father put a camera in her hands and encouraged her to take a second look at the world. Akemi attended Ryerson University in Toronto and received a Bachelor of Fine Arts in Still Photography. Since graduating, she has pursued commercial photography, worked in the book publishing industry, and currently instructs at Northern Alberta Institute of Technology where she loves being surrounded by creative minds.
Akemi loves to travel and has always had a special affinity for nature. Backcountry hiking is a much-loved break from the sounds of the city and is ideal for her infrared photography. Travelling feeds her desire to experience new cultures and inspires her to take the second look and record the world as her father advocated. That desire to share has been the driving force of her photography and approach to teaching. She believes a visual history of humankind is extremely important and would like people to become emotionally connected in how she interprets the world.
REVIEWER – Curtis Trent
Binding together his tremendously diverse portfolio is a distinct use of composition, light and narrative. Inspired by the never-ending sky of his prairie roots, Curtis doesn’t allow for boundaries. He was recognized early on as a multi-disciplined photographer gliding easily between editorial, lifestyle, portrait and advertising. By not compartmentalizing his work, Curtis has found that elusive balance between commercial photography and fine art. In fact, he welcomes both to overlap: undoubtedly a contributor to his telltale style.
Since moving back west from Toronto over 12 years ago, he continues to stretch his experience and skill while enjoying the big sky. His images have been published widely and are represented at Bugera Matheson Gallery/Art Perspective. Curtis was recently recognized in the One Eyeland Photography Awards, taking home Silver and Bronze. He was nominated in the 2015 National Magazine Awards, in the Cover Photography category. Curtis teaches at Grant MacEwan University.
REVIEWER – Larry Louie
“It takes vision to be a good photographer, to imagine how the world around you will look in a photograph. But it takes another kind of vision to see how you can use what skills and experience you have to help other people. “ (Mark Bentley talking about Dr. Larry Louie, Black and White Photography, UK, March 2012).
International award winning documentary photographer Larry Louie leads a dual career. In his optometry clinic, he is Dr. Larry Louie, working to enhance the vision of people from all walks of life in the urban core of a North American city. On his travels, he is a humanitarian documentary photographer, exploring the lives of remote indigenous people, and documenting social issues around the world. As an optometrist, Larry adjusts people’s visual perception. As a photographer, he seeks to adjust people’s view of the world. Either way, he is interested in things that exist outside the regular field of vision.
Over the last couple of years, Dr. Louie has used his photography as a platform to high light the work of different charities around the world, along with other social issues and challenges people are encountering in a world facing rapid urbanization and globalization. He wants to engage people in inspiring stories of perseverance and strength, not only of those who have found themselves caught in such a plight, but also amazing individuals and organizations that are lending a helping hand. He hopes his photographs will be able to tell the stories and make a difference, and to reveal light that is found in the darkest of places.
Larry’s award winning photographs have appeared in the Asian Photography Magazine, Digital Camera Magazine, British Journal of Photography, B&W Magazine, National Geographic and National Geographic Traveler Magazine. His work have also been exhibited around the world; from the Royal Geographical Society of London, UK to the Circle of Fine Art in Madrid, Spain, to the Center of Photography in Charleston, South Carolina to the Pendulum Gallery in Vancouver, Canada to the Royal Alberta Museum in Edmonton, Canada.
REVIEWER – Alexis Marie Chute
Alexis Marie Chute is a professional artist, author, photographer and filmmaker. She has her Bachelor of Fine Art from the University of Alberta and her Masters of Fine from Lesley University in Cambridge, MA. She has received over 30 noteworthy distinctions for her visual and literary work, such as The John Poole Award for promotion of the Arts (2015), and being named an “Emerging Canadian Photographer” by Photo Life Magazine (2012), and a “Top 40 Under 40” by Avenue Magazine (2013). She is the curator and founder of InFocus Photo Exhibit and Award. She is also a reviewer for PhotoEd Magazine’s photography platform.
Alexis Marie’s debut memoir, Expecting Sunshine will be released April 2017 by She Writes Press, accompanied by the documentary film on the same topic. Alexis Marie is a highly regarded public speaker and she has presented on art, writing, bereavement and the healing capacities of creativity around the world. She is widely published in anthologies, newspapers and magazines and her artworks has been exhibited across North America. She is represented by the AR&S Gallery at the Art Gallery of Alberta.
Email firstname.lastname@example.org to save your spot!
The mission of InFocus is to promote and exhibit innovative, thoughtful, and provocative photography created by Canada’s contemporary image makers.
The call for submissions is open to professionals, armatures and students alike. We want to see forward thinking photography that capitalizes on the strengths and subtleties of the medium and takes image-making to a new level.
The goal is to exhibit the best photography from the country!
Here are 15 reasons you should submit to InFocus:
2. Your work will be featured in Exposure Photography Festival, a critical festival of photography in the country.
4. PhotoEd Magazine will be publishing a feature on InFocus and you could see one of your images included in the spread.
5. Sell your work during InFocus. The gallery and InFocus Team will encourage art patrons to support photographers and our creative community in this way.
6. Become a part of the InFocus Alumni and network with other photographers and professionals during exhibit and afterwards.
7. Snatch up a volunteer opportunity with InFocus Exhibit 2017 to gain experience mounting and running an exhibition. Email Alexis Marie to find out how to help email@example.com
8. Add this noteworthy exhibition to help grow your creative CV.
9. Attend a rockin’ reception party on Thursday, February 9, 2017 at 6-9pm with live music and yummy snacks (and invite your family and friends!).
10. Have your work discussed for its merits and inclusion in the show by curator Alexis Marie Chute. This takes place during the Curator Talk on Thursday, February 9 at 7pm in the gallery.
11. Immerse yourself in photography, discover other image-makers from across the country, learn from them AND take your own work to the next level.
12. Each photographer’s Artist Statement and CV will be displayed at the exhibit to educate the visitors about your work.
13. Have something cool to talk about on Facebook and Twitter other than what you had for breakfast (although we’re sure it was delicious!).
14. Take advantage of InFocus’s national platform to bring more attention to your hard work.
15. Finally, just like the InFocus theme (THE FUTURE), your participation in InFocus will set you apart as a noteworthy photographer to watch.
Submit to InFocus Photo Exhibit by clicking here. Deadline October 31, 2015!
Follow InFocus Photo on Twitter.
There are so many awesome perks of participating in InFocus Photo Exhibition in general, such as nation-wide recognition for your work and participation in a group show in a stunning gallery space. But, the exhibition is just one part of InFocus.
How the InFocus People’s Choice Award works:
Every year, InFocus hosts a People’s Choice Award competition. The curator, yours truly, chooses one image from every photographer selected for the show. These images go online for one month. JANUARY. During that time, the public can go online and vote for their favorite. Part of the fun is getting all your family and friends online to cast their votes your way.
Last year, the race to the award title was exciting! We had over 2,000 votes. During the curator talk at the opening reception, VISTEK, the award sponsor, presented the winner with cash to their store.
The winner of the 2016 InFocus Photo People’s Choice Award was Aidan Guerra:
PEOPLE’S CHOICE AWARD PERKS:
This year, there are some really great perks for winning the InFocus Photo People’s Choice Award.
- You win a cash prize to VISTEK
- You will have your winning image featured as a part of the spread on InFocus in PhotoEd magazine
- Plus bragging rights of course. The title of “InFocus Photo People’s Choice Award Winner” looks awfully good on a CV.
Well, hopefully these awesome perks are more than reason enough to enter InFocus. Truly, this is a wonderful, home-grown exhibition with heaps of national pride and creative flare. Please don’t delay to enter. Here are the details:
ENTER INFOCUS PHOTO:
Enter by October 16, 2016 for regular rate – $25 for 3 images
Extended deadline October 30, 2016 – $35 for 3 images
Enter online at www.infocusphoto.ca/infocus-submission/
Learn more about InFocus at www.InFocusPhoto.ca
Alexis Marie: I have loved sharing the stories and inspirations of some truly interesting individuals during the InFocus 2016 show. Are you excited? Even through InFocus 2016 is already underway, it is not too early to begin preparing for InFocus 2017! In the fall, we will release the call for submissions and we would love to see your work. For now, I’m pleased to introduce one of our current and talented photographers, Emogene.
I’m very pleased to participate in the InFocus Photography Exhibition 2016. Special thanks go to Alexis Marie Chute for creating and curating this wonderful event.
In 2008, I switched from film to digital and haven’t looked back. Having the technology to shoot as many images as I want has not changed my process. I continue to work in manual mode and take about the same number of photos I would have taken with film. Volume does not necessarily ensure the result you are looking for and personally, I’d rather spend my time focusing on one image rather than waste it by having to review and delete unwanted images.
When I’m shooting, I don’t make a plan because I prefer to wander. I feel like I’m in a world of my own . . . no rules, no distractions, no pressure. That way I don’t have any preconceived expectations and often find new material without much difficulty. I’ve also learned that by not looking, I can see so much more.
Currently, I’m working on two overlapping self-studies “Concealment” and “Inside Exteriors”. Concealment in the sense of keeping both sides of the fence separated with the choice of being either inside or outside but not both at the same time. “Inside Exteriors” is a series of images I’ve taken of building interiors through transparent exterior walls. Ironically, one of my Concealment photographs was selected for “Interiors”, a group exhibition in New York in April 2016.
Architecture is of great interest to me. It doesn’t matter if the building is modern, has suffered from decay, is local or international, I’ll find a way to be there. Whether it be geometric patterns, lines, reflections or a combination of these, my intention is to create something entirely new by deliberately combining existing elements in an unexpected way. The images below are from my “Inside Exteriors” series. Both images were taken in the vicinity of the Northern Alberta Jubilee Auditorium in Edmonton.