Alex Colville Retrospective at the Art Gallery of Ontario

The woman with the strong arms holding binoculars up to her eyes, the man behind her reclining and obscured…

I will never forget that image. The first time I saw it I was in my BFA undergrad studies at the University of Alberta. The lecture theater was darkened and I sat on a wooden folding chair as the art history professor projected the image, “To Prince Edward Island” by Alex Colville as large as the wall. I never imagined seeing “To Prince Edward Island” in person; that thought never occurred to me back then. When I was in Toronto for work recently, I snuck in a visit to the Art Gallery of Ontario and was pleasantly surprised to find a retrospective of Colville’s work.

The smooth manner Colville painted skin tone, his stylized approach to form and the way his characters seem to float in their environments; the artwork is captivating and timeless.

When Alex Colville died in July of 2013 at 92 years old, it was the loss of a great career artist. He worked at his paintings for more than seventy years, a similar length as his marriage to his wife Rhoda. Their love story can be seen on many of Colville’s canvases. I found it so compelling, and romantic, that the artist used his wife as a muse and painted her at every stage of her life, doing simple every day things. Colville also painted her, and himself, near the end of their lives, their bodies obviously changed from the youthful images found in early paintings like “To Prince Edward Island.”

There is something magical about seeing famous art in person. It is mesmerizing and surreal. I cherish these opportunities to lean in close to witness first hand every brushstroke, each tiny detail. Colville’s fine details seem to vibrate on the canvas, the surface work of the paint so skillfully applied I imagine the artist being a patient man with a steady hand.