Write What You Know – even in Fiction
Write what you know. This may seem like the most obvious advice in the word, but it’s not. While I’m sure many of us have a burning desire to write the next great novel of pure fictitious brilliance, there is something to be said for using the material your life has gracefully provided you. And it is immediate and at-hand. The only research required is within your own personal history and daily life.
Julia Cameron‘s suggestion of writing “morning pages,” from her book called the The Artist’s Way, is one great suggestion to mine the creative juices from our lives. In this free writing, free flow, pre-consciousness approach, we can find creative breakthrough by writing whatever comes to us. I suspect that this method frequently reveals gems from one’s own personal reality.
What if you rebut: “My life is so boring!”
I’d respond: “Is it? Is it really?”
My six-year-old daughter tells me when she is bored. Often times it is when she is not engaged by me or a teacher or a friend or her siblings; and also when she is too tired or grumpy to play by herself. When she says this, it always blows my mind. She has a pretty amazing life for a little girl – that’s what I feel from my perspective at least. I’ve stocked our home with countless garage sale books. She has neighborhood friends and they play (safely) in the street. We travel to visit our out of town family. When I look at all the places she has gone, the experiences our family has had together, the opportunities open to her, I think: “Wow, you’ve had a great life so far, my dear.” I hope most days she realizes this too.
It’s all a matter of perspective.
One of our mandates as writers is to translate our experiences into our fiction, non-fiction, poetry, young adult stories, mysteries, essays, short stories, and the list goes on. Whatever your mind can conceive of, right?
If you are a fiction writer that has never considered taking inspiration from your own life, I suggest you give it a try! Think about the people that cross your path every day; your coworkers, family and friends . Maybe some of them can become your most beloved characters – or villains. You have a collection of people around you. People you know extremely well – from their opinions to their facial expressions. Take inspiration from these folks and write that kind of detail and intimacy with humanity into your stories. The same goes for settings.
I’ve heard it said somewhere, something to the effect of: there is no true fiction. (If someone can point me to the actual quote, that would be much appreciated.) There is a grain of truth behind all stories. What better reason is there to write what we know!
Somehow, my life experiences always seep into my writing. Or perhaps I would better describe it by saying: my life provides the richness of inspiration for my writing. This is something I am extremely grateful for.
I am so inspired by the human experience that I have inevitably become an avid observer and recorder. For me, memoir and personal essays are an easy choice. However, it is nice every once and a while to break out and experiment with fiction. You could say my successful completions of NaNoWriMo (National Novel Writing Month; 50K in the month of November) and the 3 Day Novel Contest (September long weekend; 100+ pages) are just such a foray into crafting work outside my every-day life. I would also argue that I simply love a challenge.
Funny enough, I actually found it much easier to write fiction to the pace of the racing clock during these competitions than I did the one year I participated in NaNoWriMo with a memoir as my goal. I couldn’t unearth my personal stories that quickly. They require a slow-cook-approach I’ve discovered.
What I write about most often, for my profession and for pleasure, are family stories. Parenting. Motherhood. Being a working-mom. Being an artist-mom. Personal identity. These topics are close to my heart. They feel almost quintessential and spiritual to me. For now, I am telling these stories through creative non-fiction. Its a blurry category. Is it 100% truth? Well, no. Is it fiction? Nope, not really. At the same time, I feel like creative non-fiction is my perfect vehicle, for now, to write what I know.
What writing projects have captured your heart right now?
What are you working on?
How do you use your own life as inspiration for your work – no matter what genre you are writing in?
Please comment below. Let’s have a conversation : )
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Thank you for reading!
– Alexis Marie
The Gift of Literacy: Reflections from the life of World War Two Survivor Eva Olsson
Yesterday I visited the school where my husband is a vice principal. I wanted to see him, true, but the main reason I popped in was to hear Eva Olsson speak. She was visiting Edmonton to present to students in the Sturgeon School Division, traveling from her home city of Toronto, Canada.
Eva is a World War Two survivor and her stories were arresting. She used her experience with the “Nazi bullies” to implore the children in the audience to stop using the word hate and instead treat each other with compassion and respect.
She told the story of how her family was lined up with thousands of other Jews and separated. One group went to the gas chambers. The other group was put into work camps. Eva was just a teenager. Her mom was separated from her, sent to be murdered, and that was the last time they saw each other.
Eva’s father went to a work camp and died of starvation. The photo Eva showed was of a long line of bodies so thin that their stomachs caved in and the people were literally just skin and bone. It was like a collection of arching ribcages. The image made me shudder.
Eva and other girls her age were sent to another work camp. They slept outside on the grass – even when it was raining – and spent winter nights in a mud hole like pigs. They were all given wooden clogs, not in their size, and had no socks. Their feet were covered in blisters.
“May a new love for humanity be born out of the horrors we have known.” From the Scroll of Remembrance at Bergen-Belsen
Eva spoke of the power of hate to do such horrible things to other people. She also critiqued the bystanders of Europe who let this horrible tragedy of genocide take place. Her message was that bystanders – even those of today – that watch evil happen and do nothing are just as guilty.
I felt incredibly proud to hear such morality praised and advocated for – and also a little uncomfortable. Sometimes it feels our culture is very grey. We don’t want to upset others with our values so we water them down. Tolerance is at the forefront. Eva’s message actually felt wonderfully refreshing! There is right! There is wrong! We must be resolute in our convictions.
At one point she asked all the junior high kids: “Who does NOT like going to school?”
A large number of hands went up.
(Being a bookworm and an education-addict, I cringed when I saw the hands.)
What was Eva’s response?
“SHAME ON YOU!” she said sternly.
Eva did not go to school as a child or youth. She could not read or write. This embarrassed her greatly. She so badly wished to get an education! (She now holds a PhD so I believe her wish did come true.)
This is one of Eva’s messages that will linger on with me forever.
I don’t want my children to take their education for granted. It is a gift.
“I cannot live in the past, but I must life with it. Perhaps writing my story will weaken the hold the past has had on me.” – Dr. Eva Olsson LLD (Hon.), FRCPSC
When I was younger and in grade school, I was bullied relentlessly. It wounded my spirit deeply and I too would have put up my hand saying I would rather be anywhere else than in the classroom. At the time, I didn’t appreciate school. Who does as a youth in North America where we don’t have to fight for it?
I hope to cultivate a love of education in my kids. The ability to read and write opens many doors, cultivates the imagination, allows for understanding and compassion for others, and creates a means for self-expression.
As both an avid reader and an author, I cannot imagine my life without the gifts of education and literacy. These are things I fight for in my life – not in grand ways, but they are priorities that I protect none the less. It can be as simple as turning off the TV to read a book. Choosing to use proper English even when texting. Reading to my children before I tuck them into bed even when I myself am oh so very tired.
I celebrate the stories my daughter writes on every piece of paper in the house. Her spelling is a mystery most days, but she is learning. She is hungry for it. What a gift! What a precious ability that we have which I hope we never, ever lose sight of. What a blessing!
I am so very thankful that Eva Olsson reminded me of this lesson – of the critical importance of literacy.
Eva’s life is inspiring. To read more about her, please click here.
A Writer’s Reading List
There is not much in life where a person can succeed alone. Learning from others, being mentored and reading books are key activities for anyone wishing to strengthen their skills and creativity.
A Writer’s Reading List
What books are your favorites?
What literature has inspired you over the years?
What titles motivate you as a writer?
I have collected the beginnings of a reading list from what I personally have found helpful. It is made up of books I have read and ones I hope to dig into soon. A good number of the titles I discovered during my Masters of Fine Art in Creative Writing at Lesley University in Cambridge, MA.
Some of these books are helpful for the craft of writing. Others will inspire you creatively. A handful will motivate you to edit, while others are for the publication stage of a writer’s life.
Happy reading everyone!
Note: I have added a category to my blog called READING LIST. I will add to it over time. Please feel free to comment below with the names of books you have found helpful.
FICTION & NON-FICTION HANDBOOKS
The Craft of Writing
By William Sloane
Beyond the Writers’ Workshop
By Carol Bly
The Art of Time in Memoir
BY Sven Birkerts
Writing & Selling your Memoir
By Paula Balzer
Burning Down the House
By Charles Baxter
Art and Fear
By Orland & Bayles
Narrative Design
By Madison Bell
Illuminations
By Walter Benjamin
What If?
By Painter & Bernays
Letters to a Fiction Writer
By Frederick Busch
Writing Fiction
By Janet Burroway
From Where You Dream
By Robert & Olen Butler
Six Memos for the Next Millenium
By Italo Calvino
Creating Fiction
By Julie Checkoway
Pen on Fire
By Barbara DeMarco-Barrett
Story Matters
By Denman & Shoupp
Aspects of the Novel
By E.M. Forester
The Art of Fiction: Notes on Craft for Young Writers
By John Gardner
On Writing
By Stephen King
Writer’s Guide to Crafting Stories for Children
By Nancy Lamb
A Giacometti Portrait
By James Lord
Writing the Breakout Novel
By Donald Maas
The Lonely Voice
By Frank O’Connor
Reading Like a Writer
By Francine Prose
Writing in Pictures: How to Write and Illustrate Picture Books
By Uri Schulevitz
Deepening Fiction
By Stone & Nyren
If You Want to Write
By Brenda Ueland
Why I Write
By Eudora Welty
The King & The Corpse
By Heinrich Robert Zimmer
Backwards and Forwards
By David Ball
The Life of the Drama
By Eric Bentley
The Playwright as Thinker
By Eric Bentley
The Empty Space
By Peter Brook
The Power of Myth
By J. Campbell & B. Moyers
Playwriting
By Louis Catron
Aristotle’s Poetics
By Gerald Else
The Art of Fiction
By John Gardner
How to Write a Selling Screenplay
By Christopher Keane
Screenwriting from the Soul
By Richard Krevolin
Bird by Bird
By Anne Lamott
An Experiment in Criticism
By C.S. Lewis
Screenplay: Writing the Picture
By R. Russin & & Missouri Downs W
The Screenwriter’s Bible
By David Trottier
The Writer’s Journey
BY Christopher Vogler
Picture This: How Pictures Work
By Molly Bang
How to Write a Children’s Picture Book
By Bine-Stock
Nonfiction Book Proposals Anybody Can Write
By Elizabeth Lyon
Writing With Pictures: How to Write and Illustrate Children’s Books
By Uri Shulevitz
FICTION & NON-FICTION ESSAYS
- Baxter, Burning Down the House
- Baxter, The Art of Subtext
- Baxter, Bringing the Devil to His Knees
- Berg, Stephen (ed.), In Praise of What Persists
- Birkerts, Sven, The Art of Time in Memoir
- Calvino, Italo, Six Memos for the Next Millennium
- Gornick, Vivian, The Situation and the Story
- Gornick, Vivian, The End of the Novel of Love
- Hersey, (ed)., The Writer’s Craft
- Justice, Donald, “The Prose Sublime”: A Donald Justice Reader
- Kundera, Milan, The Art of the Novel
- O’Connor, Flannery, Mystery & Manners
- Plimpton, George, The Writer’s Chapbook
- Prose, Francine, Reading Like a Writer
- Rich, Adrienne, On Lies, Secrets and Silence
- Spitz, Ellen Handler, Inside Picture Books
- Welty, Eudora, One Writer’s Beginnings
- Welty, Eudora, The Eye of the Storm
- Cooper, Susan, Dreams and Wishes: Essays on Writing for Children
- Harrison, Barbara & Maguire, Gregory, Origins of Story: On Writing for Children
- Marcus, Leonard, Ways of Telling: Conversations on the Art of the Picture Book
- Zinsser, William, Worlds of Childhood: The Art and Craft of Writing for Children.
- Zinsser, William , On Writing Well
POETRY HANDBOOKS
The Practice of Poetry
By Behn & Twichell
Measures: Contemporary American Poetry in Traditional Forms
By Dacey & Jauss & Strong
Poetry Handbook
By Babette Deutsch
Poetic Meter and Poetic Form
By Paul Fussell
Rhyme’s Reason
By Hollander
The Poet’s Companion
By Dorianne Laux and Kim Addonizio
The Discovery of Poetry
By Mayes
Western Wind
By Nims
The Sound of Poetry
By Robert Pinsky
The Making of a Poem
By Mark Strand and Evan Boland (eds.)
The Princeton Encyclopedia of Poetry and Poetics
POETRY ESSAYS
- Bell, Old Snow Just Melting
- Birkerts, The Electric Life: Essays on Modern Poetry
- Bryan and Olsen, Eds., Planet on the Table: Poets on the Reading Life
- Dobyns, Best Words, Best Order
- Eliot, The Sacred Wood
- Glück, Proofs and Theories
- Hass, Twentieth Century Pleasures
- Heaney, Finders Keepers
- Heaney, The Government of the Tongue
- Hoagland, Real Sofistication: Essays on Poetry and Craft
- Jarrell, Poetry and The Age
- Justice, Platonic Scripts
- Pinsky, Poetry and the World
- Plumly, Argument and Song
- Pound, The Literary Essays of Erza Pound
- Sontag and Graham, After Confession: Poetry as Autobiography
- Stevens, The Necessary Angel
- Vendler, Part of Nature, Part of Us
- Vendler, The Breaking of Style
- Vendler, The Music of What Happens
- Voigt, The Flexible Lyric
- Williamson, Introspection and Contemporary Poetry
Here are some links to other reading lists for writers:
FlavorWire – 25 Books Every Writer Should Read
Open Culture – Earnest Hemingway Creates a Reading List for a Young Writer, 1934
Aerogramme Writer’s Studio – Stephen King’s Reading List for Writers
